All of Them
Can’t walk, can’t speak
Can’t look, can’t think
Papers shuffling, pens clicking, clocks ticking
Heads down, don’t make a sound
Faces of clowns surround you
They all look the same
Camouflage shirts, Nike socks, Birkenstocks
Instagram obsessed, Tiktok possessed, but hey would you look at that dress?
Clack your nails, smack your lips, pack your bags
Buzz, buzz, buzz
Better choke that notification before it floats away
Red noses honk in these halls
New situationships, look at her eating soggy leftovers,
Isn’t that something to show off?
Friendzone after friendzone because they crave attention
Use enough setting spray to keep the cement in place
Paste on a pretty face, there's so much empty space up there
“Boys are just easier to be friends with,” they all told me.
Years pass, makeup melts with age, the clowns are no longer perfect,
There they lay in a ditch, once beautiful, except,
That was all they ever were.
Villainize her, burn her at the stake, take as many stabs as you’d like
Do you think a 5 year old understands the discrimination, the cruelty, the hatred people spew
They are snakes full of venom, with hearts made of tar
Rumors, gossip, lies, use the ammunition
Pretend, pretend, pretend that time doesn’t scare you
Fearful cowards slink behind a screen to write paragraphs
Yellow eyes narrowing when you dare to fight back
The clowns, the snakes, the rats
Gather round to pick apart your carefully curated act
I am told I am too abstract,
That I am not concrete enough
I will be obvious, painfully so,
These walls have suffocated me, people have destroyed me, yet they will never leave this town
I still stand in the very place I arrived, but I will leave
Tap, tap, tap, he’s calling
The ball and chain in our pockets.
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▾ This Poem's Voice
Your Poem's Voice
Mostly personal/concrete school experience; some abstract social commentary.
Dense rapid-fire imagery and ideas; multiple concepts per line throughout.
Strongly negative; anger, contempt, bitterness dominate throughout.
Explosive; aggressive diction, short sharp phrases, rapid pacing.
Approximately 45-50 lines; falls in 31-60 range.
Rich metaphors (clowns, snakes, rats); similes; personification; highly ornamented.
Pure lyric internal voice; introspective first-person reflection.
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