The Boys That Can Stay
Most days, boys are just trouble,
But lately, something’s changed,
And suddenly, three of them mean more than the rest.
But what they don't know is that their little actions
And most of them haven't done anything too special
But their actions have made a world of difference
Of all the boys I have met, Kevin is the deepest
He is always there for me when I need him most
He is like a life preserver
He’s an option to go to for support
Andhas been thrown at me
In more ways than one
And I couldn't be happier every single time
Then there is Nelson,
Nelson is like an elf-on-the-shelf—
always in over his head in mischief,
If I ever need to vent about one of the girls
I go to Nelson
Nelson doesn’t really like any of the girls
And even if he did, he would still stay for the drama
Although he often gets on my nerves
I still can’t imagine my school without him
Looking back further, there is a boy I know all too well
I met Wesley when I was 8
He’s like a really WWII-obsessed tin man
Wes has never weighed more than 80 pounds his entire life
And bruises when you barely poke him with a pencil
Wes can go on for hours about WWII
Then beg me to fill him in on the drama
As I wake up from the nap I took, trying to pay attention to him
But Wes has a good sense of humor
And is one of my oldest friends
All in all, those three have saved me on my worst days
And caused most of them too
But I can’t imagine life without them
So even though we all have love-hate relationships
If all the boys in the world had to go away
These three would be the last boys standing beside me
The ones I would choose to stay: my chaos, my comfort, my crew.
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▾ This Poem's Voice
Your Poem's Voice
Deeply personal; celebrates three specific boys and speaker's relationships.
Moderate density; multiple character sketches and reflection on relationships.
Predominantly positive; affection and gratitude dominate despite tensions.
Conversational pacing; energetic descriptions balanced by reflective moments.
Approximately 40-45 lines; falls in 31-60 range.
Multiple similes (life preserver, elf-on-shelf, tin man) sustain ornamental language.
Pure lyric internal voice; introspective first-person throughout.
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