A Confession (a sestina)
Jay Gatsby is my father
who is taller than any other,
and married Lily Potter only to find
no Daisy. He bred an Emma Woodhouse
and a mystery child, a stranger.
This is the man, who in his study
sits high, plans tacked all around to study,
assuming to make him a better man, lover, not father;
in such irrelevant pursuit of a stranger.
About him are justifiable this, that, and the other:
His past tales of pity, in a woeful woodhouse,
and of desired lost—only to find
her, the universal her, who said, ”Go find
a gold hat, sir, and you better bounce high.” On his study
he showed me a picture of his old woodhouse
with an evergreen, a Daisy, and my father
suspended with the snow. “No other
girl would do,” he said. “I am, to her, no stranger.”
In deficient love he married another stranger,
my mother, Lily Potter, and couldn't find
his firstborn in his heart where his other
cool, smiling daughter reigned. Emma was all over his study
walls. Perhaps his first mystery he was not meant to father—
Daisy would have born him, regardless, his Emma Woodhouse.
Nevertheless, my Gatsby father looks upon daughter Woodhouse
with eyes like pool depths. Today, I see a tin stranger,
and he sees himself as "The Great Father";
sincere faith his gold hat and high bounce will find
much happiness. He’s written a schedule to study,
to be a suitor like no other—
failing to see the other
side of his Daisy, his fantasy by that woodhouse;
guilting all in his path while I conduct a study.
I observe his love is not a Daisy, but yet another stranger.
Her reality is with her Tom, her children, and she won't find
another gold-hatted, high-bouncing substitute. Give it up, father.
Your other daughter shows a side that is stranger
than fiction. Forget the woodhouse, take off the gold hat, and find
in your study a spot for me, Mr. Gatsby, my father.
Jay Gatsby is my father
who is taller than any other,
and married Lily Potter only to find
no Daisy. He bred an Emma Woodhouse
and a mystery child, a stranger.
This is the man, who in his study
sits high, plans tacked all around to study,
assuming to make him a better man, lover, not father;
in such irrelevant pursuit of a stranger.
About him are justifiable this, that, and the other:
His past tales of pity, in a woeful woodhouse,
and of desired lost—only to find
her, the universal her, who said, ”Go find
a gold hat, sir, and you better bounce high.” On his study
he showed me a picture of his old woodhouse
with an evergreen, a Daisy, and my father
suspended with the snow. “No other
girl would do,” he said. “I am, to her, no stranger.”
In deficient love he married another stranger,
my mother, Lily Potter, and couldn't find
his firstborn in his heart where his other
cool, smiling daughter reigned. Emma was all over his study
walls. Perhaps his first mystery he was not meant to father—
Daisy would have born him, regardless, his Emma Woodhouse.
Nevertheless, my Gatsby father looks upon daughter Woodhouse
with eyes like pool depths. Today, I see a tin stranger,
and he sees himself as "The Great Father";
sincere faith his gold hat and high bounce will find
much happiness. He’s written a schedule to study,
to be a suitor like no other—
failing to see the other
side of his Daisy, his fantasy by that woodhouse;
guilting all in his path while I conduct a study.
I observe his love is not a Daisy, but yet another stranger.
Her reality is with her Tom, her children, and she won't find
another gold-hatted, high-bouncing substitute. Give it up, father.
Your other daughter shows a side that is stranger
than fiction. Forget the woodhouse, take off the gold hat, and find
in your study a spot for me, Mr. Gatsby, my father.
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