lara this
Move forward
This day remains
You may be nothing but a memory of the day before yesterday
But I’ll tell you, that was a shitty day
honor it, but look ahead
there’s much better there
you started singing, and everyone was gone
what a Berlin, what a city, what a village
they keep smoking peat
and they need you, that’s what drives them
You don’t even need a chord
And everything is real and a sign
Only a few can achieve something like that
And they all arrive
No concrete walls, just cupboards everywhere
And then they arrive
With many thanks
Just say, “Yeah, all right, man”
Who cares
That they were blind
Who can help it
Not to look
We all need our women
Mine is still messing around
And everyone’s singing about Lara
Lara this this that that that that
Lara, get a grip
Lara, your boyfriend’s real
Are you with me at the start?
I could cry, but I just eat acid
I could cry, but I just eat acid
I could cry, and I just eat people
I’m crying and you’re all my prey
I’m the German here
Just read what all this means
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▾ This Poem's Voice
Your Poem's Voice
PersonalThemeAbstract
Blends personal memory/emotion with abstract philosophical questioning about meaning and identity.
SparseMeasureDense
Dense, rapid-fire ideas: memory, Berlin, singing, need, predation, acid, identity layered densely.
DarkSentimentBright
Predominantly dark: shitty day, blindness, prey, crying, acid consumption. Some defiance but mostly bleak.
StillEnergyExplosive
Frenetic voice, exclamatory declarations, rapid shifts, aggressive final lines. Kinetically intense throughout.
MicroLengthEpic
36 lines. Falls in 31-60 range.
PlainFigurativeOrnamented
Metaphors (memory, Berlin as state, women, prey), personification, repetition. Moderately ornamented but direct.
LyricVoiceDramatic
Primarily lyric first-person voice with moments of apostrophe and direct address creating slight narrative tension.
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