Three-Toned Tribute

Dear Art Critic,

the commonly formulated question, comment. complaint

when it comes to the seemingly pressing matter of my limited color selection

generally translates to a simple 'why?'

why must I constrain myself to a mere three primaries

such unbearably standard yet overused hues

when an entire spectrum can be found in a single pack of paint tubes?

maybe it is because the reds paint the frustration

occasionally the anger, yet often less aggressive, through a versatile hue

as soft as the flush of a cheek to the most potent pomegranate seed

the yellows, the perfect complement to the severity the others provide

often light yet even more often intentionally harsh.

the blues, the best saved for last, reminiscent of the waters which encapsulate

a lifetime of memories painted deep into the soul of the artist

gravitating to the eye and a profounder sense.

and when combined, the three supreme

unfailingly compliment yet boldly contrast, visually stimulating yet contradicting

just like the sentiments stored beyond the paint.

so the next time that you are so concerned with why I am so confined

may I remind you that the trio is my simple yet meaningful method

of translating the overcomplicated emotions into something more tangible.

Sincerely,

The Artist